Ravi Jain: Mining the Power of Immersive, Short-Form Video

Ravi Jain , Senior Associate Director of Digital Media & Web Development at Boston College, gives the skinny on short-form video #skinnyinminny

Kicking Things Off

Boston College (BC) Minute: Final Call

Defining Short-Form Video

  • Extreme short form: 6-second vines, 15-second Instagrams
  • Short form video: 30 seconds to 3 minutes
  • Coffee break length: 5-8 minutes
  • Extended online clip: 10-20 minutes
  • “I wish I was on TV” clip: 30+ minutes
  • Live-streaming? (Tune in, tune out): Periscope, Meerkat

Short-Form Video, Before YouTube

  • Music videos
  • Experimental shorts (film school)
  • Early online video
  • Mini-docs

Key question: How to foster audience engagement before social media?

Case Study: BC Minute

  • Concept
    • Episodic
      • Individual threads weaving together a tapestry 
        • Get a better sense of the bigger picture as more and more episodes come together
      • Don’t try to do too much
        • Capture “the spirit”
        • Not trying to cram in tons of messages or sound bites
    • Did a pilot for proof of concept
      • Faced a lot of skepticism – what can you really do in 60 seconds?
  • DNA of the BC Minute
    • No set pieces – not a staged “let’s get students together to do XYZ because we want to show ABC” – fly on the wall observations
    • No talking to the camera, no lower thirds, no text on screen/captions (“You’re here at the Psychology Lab”
    • You are in the story, experiencing it
    • Cinema verité

Short-Form Video 101

Basics

  • The more you can plan ahead/research, the better the end result
  • What is the story or message? How does this align with your content strategy?
  • Where will this take place? Who are the players?
  • What equipment will you need?
  • How many people do you need on your team?
  • Can you scout the location ahead of time?
    • Environmental conditions (e.g., noise from trains, lighting, etc.)

Pre-Pro

  • Storyboard – do it even if it looks like a 4 year old did it
  • Shot list – may not match storyboard sequence
  • Talk to the team
  • Check (and double check and triple check) supplies

Production

  • Think quickly but don’t shoot quickly
  • Follow plan but don’t be tied to it – be nimble
  • Take advantage of repeated actions
  • If scripted activity, find a way to make it seem unscripted
  • Achieve level of comfort with players

Post

  • Log, log, log
    • Log your footage – see what’s there – document it!
  • Get to your rough cuts as quickly as possible
  • Work with what you have – don’t get caught up in “I didn’t get this shot!” – figure out a way to make it effective
    • Channel your inner Tim Gunn and make it work
  • Length isn’t everything
    • The story will dictate the length
    • A crappy short video can be long and painful to watch
    • A well crafted longer piece can fly by

Why Short-Form?

  • It forces you to cut out the crap and get to the point
  • Hook your audience with immediate storytelling
  • Enables structuring stories in the aggregate
  • Episodic storytelling begets audience engagement

Extreme Short-Form Video Formats

  • Instagram, Vine, animated GIFs
  • Immediacy of production and distro
  • Can be near instantaneous
  • Opportunities for “moment sharing”

We Made a Vine

For real. We just made a Vine: Doing It for the Vine

  • Spontaneity embraced
  • Quick, clear video direction
  • Make decisions, call action
  • Post it

Takeaways

  • You’re always a click away from losing a viewer
  • SFV = a more immediate form of storytelling
  • Break down a bigger message into bite-sized chunks
  • Hook an audience with an aggregate model
  • On the whole, a more expedited production schedule
  • ESFV even more immediate: hard-wired social media forms

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